On its own, the second session The Lurkers recorded for the BBC’s John Peel show on 18 April 1978 is arguably a curio, a ...

At the end of an exhausting week in which Holocaust Memorial Day struck a more urgent note than ever as fascism started ...

The latest from the This Is Us creator, Dan Fogelman, is a futuristic take on relationships among survivors once Earth has ...

It’s been 50 years since the USA bowed to the inevitable and pulled out of Vietnam, in the midst of harrowing scenes of anguish and chaos.

A wonderful release, in other words; the contents sufficient to satisfy anyone’s classical needs for years. It’s also very well-packaged in a sturdy, aesthetically appealing box, and the documentation ...

Drained as they are at present of crucial funds, WNO are managing to put on only two operas this spring, and spaced out to the point where it could hardly be called a season. For their new Peter ...

Taking on some of the contingent, nebulous quality of its subject, Jacqueline Feldman’s Precarious Lease examines the beginning and the end – in 2013 – of the famous Parisian squat, Le Bloc, thinking ...

When a piece of music is heard for the first time ever, there’s always the delicious hope that, just by being there, an audience might witness something special, to be remembered fondly. It doesn’t ...

What a delight to see an almost full Queen’s Hall for a programme solely of contemporary music. The Scottish Chamber Orchestra’s New Dimensions series, launched this season, sees a host of newer ...

It started with a Guardian long-read. I’m ashamed to admit it since so many shows could say the same, but that was the ...

The opening scene of the Old Vic’s Oedipus is dominated by a giant backdrop of a skull-like face, eyes shut and rock-like. It ...

Who’s in and who’s not – on the secret, the joke, the relationship, the family, the club? That’s the fulcrum of Joe ...